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Funhouse is the fifth studio album by American singer and songwriter Pink, released by LaFace Records and Jive Records in Europe on October 24, 2008, and on October 28 in the United States. A pop and pop rock record, Funhouse was inspired by Pink's separation from her husband, Carey Hart.
The song also became Pink's fifth consecutive number-one single on the Australian Airplay Chart. [5] In New Zealand, it debuted at number 18 on August 3, and peaked at number 15. [ 6 ] In the United Kingdom, "Funhouse" first appeared on the UK Singles Chart at number 155 on July 5, [ 7 ] and went on to peak at number 29.
Pink's fifth album, Funhouse (2008), ... List of songs written or co-written for other artists, showing year released and album name ... P!nk Brad Comfort
"So What" is a song recorded by American singer Pink for her fifth studio album, Funhouse (2008). The song was written by Pink, Max Martin , and Shellback , and produced by Martin. Selected as the album's lead single, "So What" was first released on August 11, 2008, and to mainstream radios on August 25, 2008, through LaFace and Zomba Label Group .
The video for "Please Don't Leave Me" directed by Cole Walliser features P!nk's husband Carey Hart and just like the other two videos, it is shot in black and white and the setting is a circus. P!nk plays the role of a beautiful woman who is searching for a man. Men line up outside the circus tent to see her and try to gain her love.
Between her booming, whiskey-tinged voice and Cirque-like stage performances, it’s easy to forget that P!nk is also an accomplished songwriter. 7 songs you didn't know P!nk wrote Skip to main ...
Jessica Letkemann of Billboard ranked "P!nk's 20 Biggest Billboard Hits", with "Sober" being the 15th, being praised for its "circular guitar riff and a big backbeat." [29] In 2012, Mark Blankenship of New Now Next put the song at number-one on her best tracks, describing that "there are many reasons that 'Sober' is my jam. For one, the lyrics ...
3/5 Outside of a few gems, the US artist’s ninth album tumbles down into a spiral of forgettable dance-pop, throwbacks and oddly chosen collaborations