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The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, most of it is a series of speeches from different characters.
The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
Plato's Symposium, depiction by Anselm Feuerbach Banquet scene from a Temple of Athena (6th century BC relief). The Greek symposium was a key Hellenic social institution. It was a forum for the progeny of respected families to debate, plot, boast, or simply to revel with others.
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
The text of Plato as received today apparently represents the complete written philosophical work of Plato, based on the first century AD arrangement of Thrasyllus of Mendes. [ 88 ] [ 89 ] The modern standard complete English edition is the 1997 Hackett Plato: Complete Works , edited by John M. Cooper.
His Ennead III.5 is an extended allegorical interpretation of passages from Plato's Symposium. Surviving commentaries on Plato's dialogues by Neo-Platonists such as Proclus contain extended allegorical interpretations. [29] Proclus' commentary on Plato's Parmenides says, for example, that the narrator Antiphon could not have been ignorant of ...
Like Origen, Methodius is strongly influenced by Plato's philosophy, and uses to a great extent the allegorical explanation of Scripture. Of his numerous works only one has come down to us complete in a Greek text: the dialogue on virginity, under the title Symposium, or on Virginity (Symposion e peri hagneias). [12]
This painting by Anselm Feuerbach re-imagines a scene from Plato's Symposium, in which the tragedian Agathon welcomes the drunken Alcibiades into his home. 1869.. Agathon (/ ˈ æ ɡ ə θ ɒ n /; Ancient Greek: Ἀγάθων; c. 448 – c. 400 BC) was an Athenian tragic poet whose works have been lost.