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  2. List of Noh plays - Wikipedia

    en.wikipedia.org/wiki/List_of_Noh_plays

    This is a complete [1] list of extant pre-modern Noh plays, their supposed authors, and categorisations. A short English translation of the title is given where one exists. A list of those plays which have a separate article on Wikipedia can be found here. Some plays are given different names by different schools.

  3. Kyōgen - Wikipedia

    en.wikipedia.org/wiki/Kyōgen

    Kyogen is generally performed on a Noh stage, as the stage is an important part of the play (the space, the reaction to stamps, the ease of sliding, etc.). It can, however, be performed in any space (particularly by amateur or younger performers), though if possible a Noh-like floor will be installed.

  4. Noh - Wikipedia

    en.wikipedia.org/wiki/Noh

    Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. . It is the oldest major theater art that is still regularly performed today.

  5. Minecraft server - Wikipedia

    en.wikipedia.org/wiki/Minecraft_server

    A Minecraft server is a player-owned or business-owned multiplayer game server for the 2011 Mojang Studios video game Minecraft. In this context, the term "server" often refers to a network of connected servers, rather than a single machine. [ 1 ]

  6. Ukai (play) - Wikipedia

    en.wikipedia.org/wiki/Ukai_(play)

    Ukai (The Cormorant-Fisher) is a Noh play of around 1400, attributed to Enami no Sayemon. Because of the lowly occupation of the leading character, Ukai is known as one of the Three Ignoble Plays. [ 1 ]

  7. Category:Noh plays - Wikipedia

    en.wikipedia.org/wiki/Category:Noh_plays

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  8. Ataka (play) - Wikipedia

    en.wikipedia.org/wiki/Ataka_(play)

    It has been described as a masterpiece of genzai noh, [1] a type of Noh play in which the story deals with events in the real world. [2] It is also distinguished from the conventional Noh drama, which is noted for its focus on the idealized beauty of yugen, through its use of songs and dances to highlight dramatic tension. [3]

  9. Rashōmon (Noh play) - Wikipedia

    en.wikipedia.org/wiki/Rashōmon_(Noh_play)

    It is one of the few Noh plays where the supporting waki (脇) rather than the normally leading shite (仕手) dominates the action. [8] It is suggested that this can be attributed to the fact that Nobumitsu used to play waki roles when he was an actor. [9] The shite character in this play only makes an appearance at the end and has no dialogue ...