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"Behind Blue Eyes" is a song by English rock band the Who. It is the second single from the band's fifth album, Who's Next (1971), and was originally written by Pete Townshend for his Lifehouse project. [2] [3] The song is one of the Who's best-known recordings and has been covered by many artists, including Limp Bizkit.
"Almost Blue" is a song recorded by English group Elvis Costello and the Attractions from their sixth studio album, Imperial Bedroom (1982). Written by Costello and produced by Geoff Emerick , the track shares the name of the group's previous 1981 studio album .
The song is sampled on the track "My World Is..", from Blu and Exile's 2007 album Below the Heavens. The track is also sampled on "Catch My Drift", a 1989 song by the British group A.R. Kane . "Blue" also appears in an important scene in the critically acclaimed 2019 film The Last Black Man in San Francisco .
The song became a hit in 1929. [2] The song is a sad tale of a love that had been lost far across the sea, set to traditional English folk music. Due to the song's popularity and historical importance, many have covered the song, including Bing Crosby (recorded January 18, 1942), [3] Gene Autry, Burl Ives and The Andrews Sisters.
Al Martino's "Love is Blue" peaked at No. 57 on the Billboard Hot 100 and No. 3 on the Billboard Adult Contemporary charts, and was the title song of one of his 1968 albums. [41] Claudine Longet's "Love Is Blue (L'amour est bleu)" peaked at No. 71, [42] while Manny Kellem's version reached No. 100. [5]
“The Voice” coach Reba McEntire revealed the origins of her go-to catchphrase goes back to the 1992 hit “Becky Got Back” by the American rapper Sir Mix-a-Lot.
What seducing secrets lie behind bedroom eyes? As it turns out, there's a whole science and art to crafting an intentionally alluring gaze. And contrary to what the scandalous name suggests, you ...
"Trouble in Mind" is a vaudeville blues-style song written by jazz pianist Richard M. Jones. Singer Thelma La Vizzo with Jones on piano first recorded it in 1924 and in 1926, Bertha "Chippie" Hill popularized the tune with her recording with Jones and trumpeter Louis Armstrong.