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File:Tea bowl, known as Suehiro, studio of Chojiro, Raku ware, Kuroraku type, Azuchi-Momoyama to Edo period, 1500s-1600s AD, ceramic - Tokyo National Museum - Ueno Park, Tokyo, Japan - DSC08889.jpg Add languages
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
The wooden salad bowl was criticized soon thereafter, even if it had a finish: The finish on cheap and badly made bowls will soon crack, the oil will seep into the crevices and eventually go rancid, and if garlic is rubbed frequently over the surface, the desirable faint undertone will soon become an objectionable odor that can only be ...
Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved.
Bodhisattva giving up his life so that a tiger family can feed their cubs; illustration of a Jataka tale on the base of the Tamamushi Shrine. The term "National Treasure" has been used in Japan to denote cultural properties since 1897, [1] [2] although the definition and the criteria have changed since the introduction of the term.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...