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John David Landis (born August 3, 1950) [1] is an American filmmaker and actor. He is best known for directing comedy films such as The Kentucky Fried Movie (1977), National Lampoon's Animal House (1978), The Blues Brothers (1980), Trading Places (1983), Three Amigos (1986), Coming to America (1988) and Beverly Hills Cop III (1994), and horror films such as An American Werewolf in London (1981 ...
The Ghostbusters franchise spans multiple films, animated series, novelizations, comic books, and video games.Beginning with the 1984 live-action film Ghostbusters, directed by Ivan Reitman, and written by Dan Aykroyd and Harold Ramis, the premise and storyline have inspired sequels, spinoffs, and reboots.
Ghostbusters: The Return is a 2004 novel written by Sholly Fisch in celebration of the franchise's 20th anniversary. Set two years after Ghostbusters II, the novel revolves around Venkman running for mayor of New York City and an ancient entity trying to conquer the world by bringing urban legends to life. [citation needed]
There was a lot of magic on the set of 1984’s Ghostbusters, but star Ernie Hudson thinks one person was responsible for much of it: Harold Ramis.. Speaking at Galaxy Con Columbus on Dec. 17 ...
Ghostbusters was considered a phenomenon and highly influential. [o] The Ghostbusters ' theme song was a hit, and Halloween of 1984 was dominated by children dressed as the titular protagonists. [8] [141] [184] It had a significant effect on popular culture and is credited with inventing the special-effects driven comedy.
George Folsey Jr., the veteran film editor behind classic films such as “Coming to America” and “Animal House,” died Dec. 29. He was 84. Variety learned the news from Folsey Jr.’s son ...
Landis, best known at the time for helming the comedies Animal House (1978) and The Blues Brothers (1980) as well as the 1981 horror hit An American Werewolf in London, was enlisted to direct ...
Johnson's first job was with four-time Oscar-winner Greg Cannom on The Galactic Connection, though the film was not released.He then worked on The Howling (1981) and two other films with Rob Bottin, [4] after which Rick Baker hired Johnson as a member of the special makeup effects crew for the John Landis blockbuster, An American Werewolf in London (1981). [5]