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SATB a cappella Quatre Motets sur des thèmes grégoriens (Four motets on Gregorian themes), Op . 10, are four sacred motets composed by Maurice Duruflé in 1960, based on Gregorian themes . He set Ubi caritas et amor , Tota pulchra es , Tu es Petrus and Tantum ergo .
Three Shakespeare Songs is a piece of classical choral music written for an a cappella SATB choir. It was written in 1951 by the British classical composer Ralph Vaughan Williams. The work comprises three short pieces which are settings of text from two plays by the English playwright William Shakespeare. It is published by Oxford University Press.
SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
Six Lieder for four mixed voices or SATB chorus a cappella, Op. 41 (1834–38) Three Lieder for bass voice and piano, Op. Posth. 84 (1831–39) Six Songs for voice and piano, Op. 47 (1832–39) Ersatz für Unbestand, TTBB chorus a cappella (1839) (WoO 8) (MWV G 25) Der erste Frühlingstag for four mixed voices or SATB chorus a cappella, Op. 48 ...
Music performed a cappella (/ ˌ ɑː k ə ˈ p ɛ l ə / AH kə-PEL-ə, UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. ' in [the style of] the chapel '), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
Sechs Lieder (Six songs), Op. 59, is a collection of six part songs for four voices a cappella by Felix Mendelssohn. He composed the songs between 1837 and 1843, setting six poems in German. They are subtitled "Im Freien zu singen" ("To be sung outdoors"), and focus on nature. They were published after his death as part of his complete works.
From 2015 it has been awarded as Best Arrangement, Instrumental or A Cappella, which also includes vocal arrangements for a cappella performances. [ 1 ] Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.