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The Raising of Lazarus, Rembrandt.Oil on panel. 37 15/16 x 32 in. (96.36 x 81.28 cm). c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632.
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Trompe-l'œil still life, 1664 View of a Corridor, Dyrham Park, 1662. A sufficient number of Van Hoogstraten's works have been preserved to show that he strove to imitate different styles at different times. In a portrait dated 1645, currently in the Lichtenstein collection in Vienna, he imitates Rembrandt.
Rembrandt's father: c. 1630: Oil paint: Melville Wassermann Study of an old man (Rembrandt's father) c. 1630: Oil on panel: 46.9 x 38.8: Mauritshuis, The Hague Man with a Hat (Portrait of Rembrandt's Father) 1630s: Oil paint: Statens Museum for Kunst Bust of an Old Man in a Fur Cap: 1629: Oil on panel: 22.2 x 17.7: Tyrolean State Museum ...
The Repose in Egypt; Rembrandt inv.; Brinkman fec. The Resurrection of Lazarus; Brinkman fec. Mary Magdalene at the Feet of our Saviour. Christ and the Samaritan Woman. The Presentation in the Temple; P. J. Brinkman inv. et fec. Six pleasing Landscapes; Ph. Brink. del. et fec.
File: Rembrandt Harmensz. van Rijn - The Raising of Lazarus - Google Art Project.jpg
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]