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" 3 airs variés pour être exécutés sur la quatrième corde seul pour violon avec accompagnement de pianoforte" (3 Varied Airs to be executed on the fourth string alone for violin with piano accompaniment) (G. Carulli) (?MS.vN3) [3] [9] "Les charmes de Padoue" (Padua attractions) for violin and piano (First public exhibition: London, 1831 ...
version of No. 24 by composer himself, for violin and piano or guitar published separately as Variazioni di bravura; piano accompaniments for Nos. 1–23 by Robert Schumann (1855) arrangement of Nos. 1–24 by Ferdinand David for violin and piano (c. 1860) version of the 24 caprices "avec accompagnement de pianoforte" by John Liptrot Hatton (1870)
Although the role of the violin in music drastically changed through this period, progress in violin technique was steady but slow. Much of Paganini's playing (and his violin composition) was influenced by two violinists, Pietro Locatelli (1693–1746) and August Duranowski (Auguste Frédéric Durand) (1770–1834).
Variations on a Theme by Paganini (Polish: Wariacje na temat Paganiniego), often referred to as the Paganini Variations, is an arrangement for two pianos of Niccolò Paganini's Caprice No. 24, from Paganini's original set of 24 Caprices for violin, written by Polish composer Witold Lutosławski. The arrangement, originally composed in 1941, was ...
Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano; Sergei Rachmaninoff – Rhapsody on a Theme of Paganini, Op. 43 (1934), a set of 24 variations for piano and orchestra; George Rochberg – 50 Caprice Variations for solo violin (1970) Alexander Rosenblatt ...
Sinfonia Concertante, for violin and piano (1982) Giovanni Bottesini. Gran duo Concertante, for violin and double-bass; Ludwig van Beethoven. Triple Concerto in C major, Op. 56, for piano, violin, and cello (1804–5) Johannes Brahms. Double Concerto in A minor, Op. 102, for violin and cello; Peter Maxwell Davies