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African American slaves in Georgia, 1850. African Americans are the result of an amalgamation of many different countries, [33] cultures, tribes and religions during the 16th and 17th centuries, [34] broken down, [35] and rebuilt upon shared experiences [36] and blended into one group on the North American continent during the Trans-Atlantic Slave Trade and are now called African American.
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. [3] Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. [4]
The descriptive terminology may have originated in the mid-1960s, when soul was a common definer used to describe African American culture (for example, soul music). African Americans were the first peoples in the United States to make fried chicken, along with Scottish immigrants to the South. Although the Scottish had been frying chicken ...
The African-American newspaper The Pittsburgh Courier called for the "double victory" or "Double V campaign" in a 1942 editorial, saying that all Black people should work for "victory over our enemies at home and victory over our enemies on the battlefield abroad". [185]
From bold-colored scarves to the zoot suit in Harlem to the mass popularity of bold acrylic nails, Black culture in […]
African American Language, or AAL, is another term that is broader and includes aspects of language that can't be interpreted, like facial expressions or other gestures common among Black people ...
A recurrent theme of his work is the integration and expression of the African American history and culture, despite his focus on his own freedom as an artist to work in an abstract mode or one referential or suggestive of his subjects.