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Contrastivism, or the contrast theory of meaning, is an epistemological theory proposed by Jonathan Schaffer that suggests that knowledge attributions have a ternary structure of the form 'S knows that p rather than q'. This is in contrast to the traditional view whereby knowledge attributions have a binary structure of the form 'S knows that p'.
Literal usage confers meaning to words, in the sense of the meaning words have by themselves, [2] for example as defined in a dictionary. It maintains a consistent meaning regardless of the context , [ 3 ] with the intended meaning of a phrase corresponding exactly to the meaning of its individual words. [ 4 ]
For example, in contrast to the abstract meaning of the universal "dog", the referent "this dog" may mean a particular real life chihuahua. In both cases, the word is about something, but in the former it is about the class of dogs as generally understood, while in the latter it is about a very real and particular dog in the real world.
Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
Spacetime idealists, by contrast, hold that space and time are constructs of the human mind, created to organize and make sense of reality. [61] Spacetime absolutism or substantivalism understands spacetime as a distinct object, with some metaphysicians conceptualizing it as a container that holds all other entities within it.
Componential analysis is a method typical of structural semantics which analyzes the components of a word's meaning. Thus, it reveals the culturally important features by which speakers of the language distinguish different words in a semantic field or domain (Ottenheimer, 2006, p. 20).
Semantic change (also semantic shift, semantic progression, semantic development, or semantic drift) is a form of language change regarding the evolution of word usage—usually to the point that the modern meaning is radically different from the original usage.
In other words, Isocrates proposes here that metaphor is a distinctive feature of poetic language because it conveys the experience of the world afresh and provides a kind of defamiliarisation in the way the citizens perceive the world. [32] Democritus described metonymy by saying, "Metonymy, that is the fact that words and meaning change."