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The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming at regular intervals (e.g. in iambic pentameters, usually every even-numbered syllable).
Syllables which end in a short vowel, like the first syllable of Greek πα-τήρ or Latin pa-ter ' father ', are treated as short; syllables which contain a long vowel or diphthong, or which ended with a consonant, like the first syllable of Rō-ma ' Rome ', sae-pe ' often ', or stul-tus ' foolish ', were treated as long.
If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of six syllables. This form is also known as common metre. By contrast most hymns in an 87.87 pattern are trochaic, with strong-weak syllable pairs: Love divine, all loves excelling,
Doggerel: a bad verse, traditionally characterized by clichés, clumsiness, and irregular meter. Free verse and vers libre: an open form of poetry that does not use consistent of meter patterns, rhyme, or any musical pattern, therefore tending to follow the rhythm of natural speech. Knittelvers; Heroic verse
The English word "trapeze" is an example of an iambic pair of syllables, since the word is made up of two syllables ("tra-peze") and is pronounced with the stress on the second syllable ("tra-PEZE", rather than "TRA-peze"). A line of iambic pentameter is made up of five such pairs of short/long, or unstressed/stressed, syllables.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
By Ovid's time there was a rule, with very few exceptions, that the last word should be of two syllables, and it was almost always a noun, verb, personal pronoun (mihi, tibi or sibi) or pronominal adjective (meus etc.). The last syllable would either be closed, or a long open vowel or a diphthong: very seldom an open short vowel.
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):