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  2. Sprocket hole photography - Wikipedia

    en.wikipedia.org/wiki/Sprocket_hole_photography

    Sprocket hole photography is a style of photography that exposes the full width of a perforated film such as 35mm film, creating a photograph punctuated by the "sprocket holes" (perforations) along the edges of the film. While 35mm film is by far the most popular gauge, other perforated film gauges may be used, such as 8mm, super 8, 9.5mm, 16mm ...

  3. Redscale - Wikipedia

    en.wikipedia.org/wiki/Redscale

    Today Lomography Redscale film is available in 35mm, 120, and 110 formats. [1] The technique is considered by some to be part of the lo-fi photography movement, along with use of toy cameras, pinhole cameras, instant cameras, and sprocket hole photography. The amount of over exposure determines the intensity of the red.

  4. Subminiature photography - Wikipedia

    en.wikipedia.org/wiki/Subminiature_photography

    Subminiature — "very much reduced in size", Oxford English Dictionary. A subminiature camera is a class of camera that is very much smaller than a "miniature camera". The term "miniature camera" was originally used to describe cameras using the 35 mm cine film as negative material for still photography; [1] so cameras that used film smaller than 35mm were referred to as "sub-miniat

  5. Photographic film - Wikipedia

    en.wikipedia.org/wiki/Photographic_film

    The initial take up of digital cameras in the 1990s was slow due to their high cost and relatively low resolution of the images (compared to 35mm film), but began to make inroads among consumers in the point and shoot market and in professional applications such as sports photography where speed of results including the ability to upload ...

  6. Push processing - Wikipedia

    en.wikipedia.org/wiki/Push_processing

    Larry Smith, the cinematographer for Kubrick's 1999 film Eyes Wide Shut, used push-processing to increase the intensity of the color. [4] Paul Thomas Anderson and Michael Bauman used this technique on their 35mm film stock for the 2017 film Phantom Thread, also filling its frames with "theatrical haze" to "dirty up" the look of the film. [5]

  7. Anamorphic format - Wikipedia

    en.wikipedia.org/wiki/Anamorphic_format

    The older Academy format of Anamorphic widescreen was a response to a shortcoming in the non-anamorphic spherical (a.k.a. "flat") widescreen format. With a non-anamorphic lens, the picture is recorded onto the film negative such that its full width fits within the film's frame, but not its full height.