Search results
Results From The WOW.Com Content Network
A funeral procession in the Philippines, 2009. During the Pre-Hispanic period the early Filipinos believed in a concept of life after death. [1] This belief, which stemmed from indigenous ancestral veneration and was strengthened by strong family and community relations within tribes, prompted the Filipinos to create burial customs to honor the dead through prayers and rituals.
National Museum of Anthropology, Manila. The Manunggul Jar is a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan, Philippines. It dates from 890–710 B.C. [2] and the two prominent figures at the top handle of its cover represent the journey of the soul to the ...
Detail on a jar cover molded into a human head. Even though the burial jars are similar to that of the pottery found in Kulaman Plateau, Southern Mindanao and many more excavation sites here in the Philippines, what makes the Maitum jars uniquely different is how the anthropomorphic features depict “specific dead persons whose remains they guard”.
Nestor Leynes. Nestor Garcia Leynes, Sr (February 26, 1922 – March 18, 2016) was a Filipino realist painter. Leynes is regarded as one of the leaders of the "Magic Realist" movement of the Philippines. He was born in Santa Cruz, Manila. [1]
Known for. Watercolour. Rafael Arenillo Cusi, also known by his nickname Popoy Cusi, is a Filipino artist who specializes in watercolour. He is also dubbed as the "Master of Watercolour in the Philippines" and is acclaimed as one of the top artist of the Philippines in his times including other artists who also specializes in watercolor. [1][2]
Perpetual Motion (1952) Style. Geometric Abstract. Partner. Nieves de Guzman. Website. www.constanciobernardo.com. Constancio Bernardo (December 22, 1913 – August 8, 2003) was a Filipino painter and professor. [1][2] He is known for making the earliest modern geometric abstract paintings in the Philippines and in Southeast Asia. [3][4][5][6][7]
Fernando Amorsolo. Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3] He was recognized as such for his "pioneering use of impressionistic ...
Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display.