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The Thomson Viper FilmStream Camera is a digital movie camera produced by Thomson Multimedia (now Vantiva). Introduced in the early 2000s [ 1 ] as makers of feature films were turning to digital cinematography , the Viper influenced subsequent HD , UHD, and HDR cameras.
Independent movie-makers have also pressed low-cost consumer and hybrid prosumer cameras into service for digital cinematography. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high-definition cameras in this market.
Redcine-X Pro is a free-of-charge post-processing software collection developed by Red, built specifically for Red camera systems. It includes a coloring toolset, integrated timeline, and post effects software collection for both stills and motion. The post-production software allows for non-destructive manipulation of raw .R3D files. [21]
Red Digital Cinema was founded by Jim Jannard, who previously founded Oakley.As a self-described "camera fanatic" owning over 1,000 models, Jannard started the company with the intent to deliver a (relatively) affordable 4K digital cinema camera.
Advent of digital cameras reduced the above mechanism to a minimum removing much of the shortcomings. A spring-wound Bolex 16 mm camera. The standardized frame rate for commercial sound film is 24 frames per second. [18] The standard commercial (i.e., movie-theater film) width is 35 millimeters, while many other film formats exist.
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