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The Laud for the Chinese Revolution (simplified Chinese: 中国革命之歌; traditional Chinese: 中國革命之歌; pinyin: zhōngguó gémìng zhī gē) is a 1984 Chinese film directed by the People's Liberation Army (PLA) Movie Studio (namely the August First Film Studio), depicts the history of China, particularly under the leadership of ...
A Free Soul: 自由魂: Wang Cilong: Tang Tianxiu, Zhou Wenzhu, Gao Zhanfei: Drama: Alternate title: The Bloody Crysanthemum (碧血黃花) An Amorous History of the Silver Screen: 銀幕艷史: Cheng Bugao: Xuan Jinglin, Xia Peizhen: Drama: This is a partially lost film about a woman's rise from prostitution to stardom from Mingxing Film ...
This category encompasses films about and set in the Cultural Revolution (1966-1976), a violent sociopolitical purge movement in China.Launched by Mao Zedong, Chairman of the Chinese Communist Party (CCP), its stated goal was to preserve Chinese communism by purging remnants of capitalist and traditional elements from Chinese society, and to re-impose Mao Zedong Thought (known outside China as ...
Morning Sun (Chinese: 八九点钟的太阳; pinyin: Bā Jiǔ Diǎn Zhōng de Tàiyáng) is a 2003 documentary film by Carma Hinton about the Cultural Revolution in China.. The film uses archival and propaganda footage from the era as well as interviews with Red Guard participants and victims to explore the events and effects of the Cultural Revolution.
(2001). Zhong guo ying pian da dian: 1949.10-1976. Beijing: 中国电影出版社 China Movie Publishing House. ISBN 7-106-01508-3; 中国影片大典 Encyclopaedia of Chinese Films. 1931–1949.9, 故事片·戏曲片. (2005). Zhong guo ying pian da dian: 1931–1949.9. Beijing: 中国电影出版社 China Movie Publishing House. ISBN 7-106 ...
After the Blue Flash: 蓝光闪过之后: Fu Chaowu, Gao Zheng: Zhao Lian, He Shuohua: Drama: Film is set against the backdrop of the July 1976 Tangshan earthquake. "Blue" in the title refers to a blue dress. Winner of Best Art Design at the 1980 Hundred Flowers Awards. Ah, Cradle: 奥！摇篮: Xie Jin: Zhu Xijuan, Zhang Yongshou: Drama: Aolei ...
The film was banned for depicting China negatively in relation to annexation of Tibet by the People's Republic of China. [16] The Dalai Lama is considered by China a separatist leader and a threat to Chinese control on the Himalayan region, [17] [18] and officials objected to a positive portrayal of the Dalai Lama. [19]
First post-revolution Chinese film Crows and Sparrows: 烏鴉與麻雀: Zheng Junli: Zhao Dan, Shangguan Yunzhu, Sun Daolin: Drama: Post-revolution Chinese film Daughters of China: 中華女兒: Ling Zifeng Zhai Qiang: War: Post-revolution Chinese film Mother: 母親: Shi Hui: Qin Yi: Drama: Orphan on the Streets: 三毛流浪記: Zhao Ming ...