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Varahi is worshipped in the Sapta-Matrikas group ("seven mothers"), which are venerated in Shaktism, as well as associated with Shiva. Varahi is a ratri devata (night goddess) and is sometimes called Dhruma Varahi ("dark Varahi") and Dhumavati ("goddess of darkness"). According to Tantra, Varahi should be worshipped after sunset and before sunrise.
The practice of Vajrayoginī belongs to the Mother Tantra (Wylie: ma rgyud) class of Anuttarayoga Tantras along with other tantras such as the Cakrasaṃvara and Hevajra Tantras. Vajrayana teaches that the two stages of the practice of Vajrayoginī (generation stage and completion stage) were originally taught by Vajradhara .
Varahi is believed to be the Sakti of Varaha. In the Tantric text 'Varahi Tantra' mention has been made of five forms of Varahi i.e., Svapna Varahi, Canda Varahi, Mahi Varahi (Bhairavi), Kruccha Varahi and Matsya Varahi. The description of Matsya Varahi closely corresponds to the image enshrined in the temple.
Her two legs are in the dancing posture, on a symbolic human corpse. Vajravarahi's distinguishing iconographic attribute is her dancing posture with one leg bent upward, and the sow head (varahi), representing victory over ignorance, depicted either behind her ear [6] or above her head. Often, Vajravarahi is conflated iconographically with ...
Tantric works like Tantrarāja-Tantra (unknown date, author) and Kulacūḍāmaṇi discuss the worship of Matrikas as Shaktis or letters of the alphabet. [97] A process of this worship, Matrika-nyasa (lit. "installation of the Mothers"), is described in Devi Gita , part of Devi Bhagavata Purana. [ 98 ]
Furthermore, it seems the root Cakrasaṃvara Tantra is not as important in the Newari tradition, which instead privileges the Samvarodaya. [24] The main Indian commentaries to the root tantra are: [25] Jayabhadra of Laṅka (early to mid 9th century scholar at Vikramashila), Śrī-cakrasaṃvara-mūla-tantra-pañjikā. The oldest, word-for ...
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An 18th-century painting from Rajasthan depicts Chhinnamasta as black, as described in the Pranatoshini Tantra legend. She is seated on a copulating couple. Chhinnamasta is often named as the fifth [24] [25] [26] or sixth [1] [27] [20] Mahavidya (Mahavidyas are a group of ten fearsome goddesses from the Hindu esoteric tradition of Tantra), with hymns identifying her as a fierce aspect of Devi ...