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Gilbert cloud chamber, assembled An alternative view of kit contents. The lab contained a cloud chamber allowing the viewer to watch alpha particles traveling at 12,000 miles per second (19,000,000 m/s), a spinthariscope showing the results of radioactive disintegration on a fluorescent screen, and an electroscope measuring the radioactivity of different substances in the set.
The main panel is 87.1 cm tall and 69.2 cm wide, the side ones 86.5 cm tall and 31.5 wide. [3] As was usual with triptychs, the side wings are hinged, and when closed a different view of the work is seen. Typically the painting was intended to be kept closed most of the time, but opened on special feasts or perhaps Sundays.
The word triptych was formed in English by compounding the prefix tri-with the word diptych. [2] Diptych is borrowed from the Latin diptycha, which itself is derived from the Late Greek δίπτυχα (díptycha) ' pair of writing tablets '. δίπτυχα is the neuter plural of δίπτυχος (díptychos) ' double-folded '. [3]
Some definitions restrict "polyptych" to works with more than three sections: [1] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or quadriptych has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits ...
The three scenes depicted are the Ascension featuring Mary Magdalene, [1] on a central canvas which is 22 feet (6.7 m) by 19 feet (5.8 m). It is flanked by The Sealing of the Sepulchre and the Three Marys at the Tomb each of which is 13 feet 10 inches (4.22 m) by 12 feet (3.7 m). They are mounted in gilded frames. [2]
Triptych, May–June 1973 was purchased at auction in 1989 by Swiss businesswoman Esther Grether for $6.3 million ($15.5 million as of 2023), then a record for a Bacon painting. [7] [8] [9] Grether is believed to own three other Bacon triptychs from the 1970s. Triptych March 1974 1974 Catalogue Raisonné Number 74-02 Oil on canvas 198 x 147.5cm ...