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A music video was released for the song, directed by Wes Edwards. The video takes place in a field with people partying and driving on mud, while Jason Aldean and his band are performing. It premiered in April 28, 2005. Most of the music video was filmed in Palmdale, Florida at the C&R Mudhole, that is now closed down. Aldean's sister Kasi ...
Joseph Edgar Foreman (born July 28, 1974), better known by his stage name Afroman, is an American rapper.His debut studio album, The Good Times (2001), featured the singles "Because I Got High" and "Crazy Rap".
"An Old Hollywood Custom" music by Ray Henderson; lyrics by Lew Brown "Anaheim" by They Might Be Giants "...and a Song for Los Angeles" by She Wants Revenge "Andres" by L7 "Angel City" by Don Johnson "Angel City" by Gil Fuller "Angel City" by Megabass (act had a top 20 British hit in 1990 with 'Time to Make the Floor Burn') "Angel City" by ...
"Ice Cream Cake" is a song recorded by South Korean girl group Red Velvet for their debut extended play Ice Cream Cake (2015). Primarily a dance-rock track with influences from drum and bass, the song was written by lyricist Jo Yoon-kyung, Kim Dong-hyun, Fredrik Häggstam, Hayley Aitken, Johan Gustafsson and Sebastian Lundberg, [1] while production and arrangement were handled by Hayley Aitken ...
Songs of Armor and Devotion is the only album to feature drummer RJ Shankle, prior to his departure in July 2022. It was generally received well by critics. It was generally received well by critics. Shortly after, two collaboration beers was released with Lucky Luke Brewing Company (Palmdale, CA) in conjunction with the album release.
At the end of the decade Robinson moved to California and continued to write songs. He was the composer of the title song, "Portrait of Jennie," for the 1948 film of the same name. The song subsequently became a hit for Nat King Cole. [2] J. Russel Robinson/Roy Turk Aggravatin' Papa (Don't you try to two-time me), sheet music cover, 1922
The album's liner notes by Judith Piepe, state of the song: "This is, of course, a take-off, a take-on, a private joke, but no joke is all that private or any less serious for being a joke." In 1966, together with Art Garfunkel, Simon re-recorded the song for the duo's album Parsley, Sage, Rosemary and Thyme, with several changes to the lyrics ...
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.