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The shield above, which is the arms of Menzies, depicts a red chief placed on a silver shield, and its blazon is Argent, a chief gules. In heraldic blazon, a chief is a charge on a coat of arms that takes the form of a band running horizontally across the top edge of the shield. Writers disagree in how much of the shield's surface is to be ...
In heraldry, an escutcheon (/ ɪ ˈ s k ʌ tʃ ən /, ih-SKUTCH-ən) is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a ...
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous . [ 1 ]
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A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement , which in its whole consists of a shield, supporters , a crest , and a motto .
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Pope Boniface VIII: Popes of the late medieval and early modern period used their family coats of arms (the earliest exception being Nicholas V, r. 1447–1455). The coat of arms of Boniface VIII (r. 1294–1303), an early form of the Caetani coat of arms, happens to be the first coat of arms used by a pope preserved in a contemporary depiction ...
A bordure encloses the whole shield, with two exceptions: When two coats of arms are combined by impalement, the bordure usually stops at the partition line and does not run down it, as shown in the arms of Kemp as Archbishop of Canterbury in the 15th century; this rule is considered a relic of the older practice of dimidiation.