Ad
related to: history of electronic music documentary
Search results
Results From The WOW.Com Content Network
Modulations: Cinema for the Ear is 1998 documentary film on the history of electronic music, consisting of a documentary film, accompanied by a soundtrack album, and a 2000 book Modulations A History of Electronic Music by Peter Shapiro.
Modulations: A History of Electronic Music: Throbbing Words on Sound is a 2000 book edited by Peter Shapiro. [1] [2] [3] It is a companion piece to the documentary film Modulations: Cinema for the Ear.
Electronic Awakening is a 2011 American documentary film which investigates the spiritual history of electronic music culture. Told from an ethnographic perspective, the film explores the international Electronic Dance Music (EDM) phenomenon as the re-emergence of shamanic ritual. [2]
Moog is a 2004 American documentary film by Hans Fjellestad about electronic instrument pioneer Robert Moog.The film features scenes of Moog interacting with various musicians who view him as an influential figure in the history of electronic music.
While commending the film for "[trying] to present an accessible history of electronic music", it criticized it for its "subcultural cliquishness" and described it as promotional of the Ultra Music Festival. [19] A review on EDMtunes.com called it "the premier film on Electronic Music history" and "a film that speaks to all dance music ...
The documentary delves into the nearly century-long history of Soviet and Russian experimental electronic music, employing archival footage and contemporary interviews, for example with musician Alexei Borisov, to offer insight into the cultural and social changes within Russia. It pays homage to the pioneers of futuristic sounds, illustrating ...
The documentary is made up of rare testimonies and archive footage. It chronicles the stories of the pioneering but little-known women of electronic music. These composers found, thanks to machines, a space of liberty and creativity that the male-dominated world of traditional music did not allow them.
Janet Maslin of The New York Times called the film a "fascinating, offbeat documentary that stands as a fine job of detective work". [1] In a December 1995 review, Roger Ebert wrote: [3] Watching Theremin: An Electronic Odyssey is a curious experience. You begin with interest, and then you pass through the stages of curiosity, fascination and ...