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The Jacobean era was the period in English and Scottish history that coincides with the reign of James VI of Scotland who also inherited the crown of England in 1603 as James I. [1] The Jacobean era succeeds the Elizabethan era and precedes the Caroline era. The term "Jacobean" is often used for the distinctive styles of Jacobean architecture ...
The study of the role of women in the society of early medieval England, or Anglo-Saxon England, is a topic which includes literary, history and gender studies.Important figures in the history of studying early medieval women include Christine Fell, and Pauline Stafford.
Ancient history – Aggregate of past events from the beginning of recorded human history and extending as far as the Early Middle Ages or the Postclassical Era. The span of recorded history is roughly five thousand years, beginning with the earliest linguistic records in the third millennium BC in Mesopotamia and Egypt .
Agnes Douglas, Countess of Argyll (1574–1607), attributed to Adrian Vanson. Women in early modern Scotland, between the Renaissance of the early sixteenth century and the beginnings of industrialisation in the mid-eighteenth century, were part of a patriarchal society, though the enforcement of this social order was not absolute in all aspects.
The Jacobite succession is the line through which Jacobites believed that the crowns of England, Scotland, and Ireland should have descended, applying male preference primogeniture, since the deposition of James II and VII in 1688 and his death in 1701.
One of the original momagers, Mary Villiers knew how to use her son to get wealth, power and prestige. In “Mary & George,” Julianne Moore plays the white ruff-wearing, pushy mom who took ...
Gender role is not the same thing as gender identity, which refers to the internal sense of one's own gender, whether or not it aligns with categories offered by societal norms. The point at which these internalized gender identities become externalized into a set of expectations is the genesis of a gender role.
In the confused theatre scene of the Caroline era – what Andrew Gurr has called "a complex game of musical playhouses" [4] in which companies switched theatres and changed their names – there was a troupe that acted under the name in the 1631–42 period, with royal patronage under the name of the infant Prince Charles, the future Charles II; scholars sometimes designate it Prince Charles ...