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Labyrinths (1962, 1964, 1970, 1983) is a collection of short stories and essays by Argentine writer and poet Jorge Luis Borges. It was translated into English, published soon after Borges won the International Publishers' Prize with Samuel Beckett. [1]
The story tells about a character who mistakenly achieves immortality and then, weary of a long life, struggles to lose it and writes an account of his experiences. The story consists of a quote, an introduction, five chapters, and a postscript. "The Immortal" has been described as "the culmination of Borges' art" by critic Ronald J. Christ. [2]
Father Jacquet also preached, saying that, when visiting Borges before his death, he had found "a man full of love, who received from the Church the forgiveness of his sins". [59] [60] After the funeral, Borges was laid to rest in Geneva's Cimetière de Plainpalais. His grave, marked by a rough-hewn headstone, is adorned with carvings derived ...
Pages in category "Short stories by Jorge Luis Borges" The following 43 pages are in this category, out of 43 total. This list may not reflect recent changes .
Come celebrate Reader's Digest's 100th anniversary with a century of funny jokes, moving quotes, heartwarming stories, and riveting dramas. The post 100 Years of Reader’s Digest: People, Stories ...
"Death and the Compass" (original Spanish title: "La muerte y la brújula") is a short story by Argentine writer and poet Jorge Luis Borges (1899–1986). Published in Sur in May 1942, it was included in the 1944 collection Ficciones. It was translated into English by Anthony Kerrigan and published in New Mexico Quarterly (Autumn 1954).
In his preface to the 1954 edition, Borges distanced himself somewhat from the book, which he gave as an example of the baroque, "when art flaunts and squanders its resources"; he wrote that the stories are "the irresponsible sport of a shy sort of man who could not bring himself to write short stories, and so amused himself by changing and ...
Borges starts the story narrating as himself as he is forced to stop in a small town run by the unnamed Irishman, who is known as strict but fair. Borges ingratiates himself with the Irishman, and they go out to drink together on the patio. Borges gets drunk and asks about the origin of a crescent-shaped scar on the Irishman's face.