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Creedence Clearwater Revival, commonly abbreviated as CCR or simply Creedence, was an American rock band formed in El Cerrito, California.The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford.
[5] [6] The lyrics tell the listener that he or she should "keep on chooglin'." [ 5 ] John Fogerty explained the term chooglin' as "what happens when 'you got to ball and have a good time.'" [ 5 ] Similar to Fogerty's explanation, Cook viewed chooglin' as a metaphor for sex. [ 3 ]
The lyrics describes about a story of an unknown loved one who has recently died, with the narrator having difficulty trying to live without them. [21] "Bullet", the eleventh track from the album, is a song about suicide. It is played in an upbeat tempo with energetic vocals, which gives contrast to the dark lyrical content.
The recession caused a partial motivation for "Been to Hell " 's lyrics of failure and the darker tone. [1] The song is specifically about people who come to Hollywood expecting to achieve greatness and fame, but are unable to accomplish this for reasons of drugs, temptation, and apathy.
"Comin' in Hot" is a song by American rap rock band Hollywood Undead. It is the fourth single from their second full-length album, American Tragedy, and the third track on that album. It is the band's tenth overall single in their discography.
"Coming Back Down" is a song by American rap rock band Hollywood Undead. It is the third single from their second full-length album, American Tragedy , and the tenth track on that album. It is the band's ninth overall single in their discography.
Undead" was released as a 7" single in the United Kingdom on HMV with "Circles" as a second track. During Super Bowl XLIII, a trailer aired for G.I. Joe: The Rise of Cobra which featured "Undead". The song is also featured in the video game UFC 2009 Undisputed from THQ and is part of the soundtrack for Madden NFL 09. [3]
The album was called "the best thing SFU have recorded since Maximum Violence," in an 8/10 review by Decibel magazine.Terrorizer magazine wrote that, "Ugly riffs slip and slide amidst the primordial ooze summoned forth by Chris' guttural incantations, and the drums flail in the background like some tentacle monstrosity from beyond; this is truly an unearthly noise and glorious in its heaving ...