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Cyberprep is a term with a similar meaning to postcyberpunk. A cyberprep world assumes that all the technological advancements of cyberpunk speculation have taken place, but life is utopian rather than gritty and dangerous. [18] Since society is largely leisure-driven, advanced body enhancements are used for sports, pleasure, and self-improvement.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
[78] [76] The game's yellow-themed design is an attempt to distinguish Cyberpunk from existing icons in its genre. [79] The designs of Marcello Gandini helped shape the appearance of many of the cars in the game. [80] A motorbike akin to the one in the Akira manga and anime film appears in the game, as well as a car inspired by Mad Max: Fury ...
Each hexagram is six lines, written sequentially one above the other; each of the lines represents a state that is either yin (陰 yīn: dark, feminine, etc., represented by a broken line) or yang (陽 yáng: light, masculine, etc., a solid line), and either old (moving or changing, represented by an "X" written on the middle of a yin line, or a circle written on the middle of a yang line) or ...
Cyberpunk is a tabletop role-playing game in the dystopian science fiction genre, written by Mike Pondsmith and first published by R. Talsorian Games in 1988. It is typically referred to by its second or fourth edition names, Cyberpunk 2020 and Cyberpunk Red, in order to distinguish it from the cyberpunk genre after which it is named.
Cybergoth fashion combines rave, rivethead, cyberpunk and goth fashion, as well as drawing inspiration from other forms of science fiction. Androgyny is common. [5] The style sometimes features one starkly contrasting bright or neon-reactive theme color, such as red, blue, neon green, chrome, or pink, [6] set against a basic, black gothic outfit.
Mirrorshades: The Cyberpunk Anthology (1986) edited by Bruce Sterling [9] [30] Crystal Express (1989) by Bruce Sterling [9] Patterns (1989) by Pat Cadigan; Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science Fiction (1992) edited by Larry McCaffery (contains both fiction and nonfiction) [31] Hackers (1996) by Jack Dann ...