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1960-02-01 1960-03-29 Them Dirty Blues: Riverside 1960 1960-05-21 1960-06-05 Cannonball Adderley and the Poll-Winners – with Wes Montgomery: Riverside 1960 1960-10-16 The Cannonball Adderley Quintet at the Lighthouse: Riverside 1960 Live 1961-01-27 1960-02-21 1961-03-13 Know What I Mean? – with Bill Evans: Riverside 1961 1961-02-28 1961-05 ...
Julian Edwin "Cannonball ... was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. [1] [2 ... Songs made famous by Adderley and his ...
This is a timeline documenting events of Jazz in the year 1960. Events ... 16 – The Cannonball Adderley Quintet records At ... This list of songs or music-related ...
The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
The song was first recorded by Bobby Timmons in his debut album This Here Is Bobby Timmons (January 1960), and shortly thereafter by the Cannonball Adderley Quintet on the album Them Dirty Blues (February 1960) and by Art Blakey and the Jazz Messengers on the album The Big Beat (March 1960), with Timmons as pianist on both recordings.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
It is now considered a jazz standard, having been recorded by: João Gilberto – O Amor, o Sorriso e a Flor (1960) Sylvia Telles – Amor em Hi-Fi (1960) Cannonball Adderley and Sérgio Mendes – Cannonball's Bossa Nova (1962) Miles Davis – Quiet Nights (1962) Stan Getz, Antônio Carlos Jobim, João Gilberto and Astrud Gilberto – Getz ...
"Mercy, Mercy, Mercy" is a jazz song written by Joe Zawinul (lyrics by Gail Fisher) in 1966 for Cannonball Adderley and which appears on his album Mercy, Mercy, Mercy! Live at "The Club". The song is the title track of the album and became a surprise hit in February 1967. [1] "