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It should only contain pages that are Massive Attack songs or lists of Massive Attack songs, as well as subcategories containing those things (themselves set categories). Topics about Massive Attack songs in general should be placed in relevant topic categories .
Blue Lines is the debut studio album by English electronic music group Massive Attack, [a] released on 8 April 1991 by Wild Bunch and Virgin Records. [1] The recording was led by members Grantley "Daddy G" Marshall, Robert "3D" Del Naja, Adrian "Tricky" Thaws, and Andrew "Mushroom" Vowles, with co-production by Jonny Dollar.
Massive Attack's cover version, retitled "Be Thankful for What You've Got", was featured on their 1991 debut album, Blue Lines. A music video was produced for the song; however, it was not released as a stand-alone commercial single. Instead, a remix by Paul Oakenfold was also included on their 1992 single release Massive Attack EP. [14]
Massive Attack's debut album, Blue Lines, was released in 1991 and was a pioneering force in the forming of the fusion genre dubbed trip hop. [1] Blue Lines peaked at number 13 on the UK Albums Chart and was certified Double Platinum in the United Kingdom.
Like most of Massive Attack's albums, the music often defies categorisation, ranging from R&B (title track and "Sly") to hip hop/rap ("Karmacoma" and "Eurochild") to reggae-tinged synth-pop ("Spying Glass") to classical-influenced electronica instrumentals ("Weather Storm" and "Heat Miser").
"Teardrop" was first developed from a simple harpsichord riff picked out in the studio in April 1997. Andrew Vowles, the main songwriter of this song, originally sent the demo to Madonna as he wanted her to record the vocals (the band had previously worked with her on their 1995 reworking of the song "I Want You").
As of now, a one-off Nov. 29 show in Liverpool, England is still on the books and is part of Massive Attack’s long-in-the-works efforts to reduce carbon emissions related to the live music industry.
The main rhythmic structure of the track is a loop taken from Nusret Fateh Ali Khan qawali 'Dam mast qalender mast mast'. [2] The melodic refrain (at 0:54) is taken from the opera Prince Igor by Russian composer Alexander Borodin, and also includes a sample of Tuvan throat singing also used by The KLF in "Dream Time in Lake Jackson", both of which come from the documentary 'Herders of Mongun ...