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The Reform Jewish summer camps continue to be a source of contemporary Jewish worship music, where artists like Craig Taubman, [14] Dan Nichols, [15] Rick Recht, [16] Josh Nelson, [17] Alan Goodis and others have shared their newest compositions with the latest generation of campers. Nichols and Recht are among the leading Jewish rock singers ...
Religious Jewish Music in the 20th century has spanned the gamut from Shlomo Carlebach's nigunim to Debbie Friedman's Jewish feminist folk, to the many sounds of Daniel Ben Shalom. Velvel Pasternak has spent much of the late 20th century acting as a preservationist and committing what had been a strongly oral tradition to paper.
In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [ 24 ] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music.
Although little mention is made of it, music was used in very early times in connection with divine service. Amos 6:5 and Isaiah 5:12 show that the feasts immediately following sacrifices were very often attended with music, and from Amos 5:23 it may be gathered that songs had already become a part of the regular service.
The Hebrew-language text of the song was added to the traditional Hasidic melody by Jews in Palestine prior to the establishment of Israel in 1948. [2] "Hevenu shalom aleichem" is commonly sung by Jews at wedding celebrations, [2] and is also utilized at bar and bat mitzvah (b'nei) celebrations. [5]
"Hava Nagila" is one of the first modern Jewish folk songs in the Hebrew language. It went on to become a staple of band performers at Jewish weddings and b'nai mitzvah celebrations. The melody is based on a Hassidic Nigun. [1] It was composed in 1918 to celebrate the Balfour Declaration and the British victory over the Ottomans in 1917. It was ...
The project, founded by David Matouk Betesh, is dedicated to the memory of his great-grandfather, cantor Gabriel A Shrem, a former instructor at Yeshiva University's Cantorial Institute (Philip and Sarah Belz School of Jewish Music), cantor of B'nai Yosef Synagogue and editor-in-chief of the "Shir uShbaha Hallel veZimrah" pizmonim book. The ...
Kinnor (Hebrew: כִּנּוֹר kīnnōr) is an ancient Israelite musical instrument in the yoke lutes family, the first one to be mentioned in the Hebrew Bible.. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre", [2]: 440 and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kokhba coins.