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Neotonality (or neocentricity) is an inclusive term referring to musical compositions of the twentieth century in which the tonality of the common-practice period (i.e. functional harmony and tonic-dominant relationships) is replaced by one or several nontraditional tonal conceptions, such as tonal assertion or contrapuntal motion around a central chord.
Richard Cohn (born 1955) is a music theorist and Battell Professor of Music Theory at Yale. He was previously chair of the department of music at the University of Chicago . Early in his career, he specialized in the music of Béla Bartók , but more recently has written about Neo-Riemannian theory , metric dissonance, equal divisions of the ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The omnibus progression in music is a chord progression characterized by chromatic lines moving in opposite directions. [1] The progression has its origins in the various Baroque harmonizations of the descending chromatic fourth in the bass ostinato pattern of passacaglia, known as the "lament bass". [2]
In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonicism and modality (the major and minor, or "white key", scales ...
Neoromanticism was a term that originated in literary theory in the early 19th century to distinguish later kinds of romanticism from earlier manifestations. In music, it was first used by Richard Wagner in his polemical 1851 article " Oper und Drama ", as a disparaging term for the French romanticism of Hector Berlioz and Giacomo Meyerbeer ...
This type of modulation is particularly common in Romantic music, in which chromaticism rose to prominence. Other types of enharmonic modulation include the augmented triad (III+) and French sixth (Fr+ 6). Augmented triad modulation occurs in the same fashion as the diminished seventh, that is, to modulate to another augmented triad in a key: a ...
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...