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The Barcelona chair is a chair designed by Ludwig Mies van der Rohe and Lilly Reich, [1] [2] for the German Pavilion at the International Exposition of 1929, hosted by Barcelona, Catalonia, Spain. The chair was first used in Villa Tugendhat , a private residence, designed by Mies in Brno ( Czech Republic ).
For the Barcelona Pavilion, that methodology spawned, among other furnishings, the Barcelona chair, a lounge seat that’s endured as a design icon for almost a century.
The Barcelona Pavilion (Catalan: Pavelló alemany; Spanish: Pabellón alemán; "German Pavilion"), designed by Ludwig Mies van der Rohe and Lilly Reich, was the German Pavilion for the 1929 International Exposition in Barcelona, Spain. [1] This building was used for the official opening of the German section of the exhibition. [2]
In appearance, the Tugendhat chair is somewhat of a hybrid of van der Rohe and Reich's 1929 Barcelona chair and 1929–1930 Brno chair. Like the Barcelona chair, the Tugendhat chair has a large padded leather seat and back, supported by leather straps mounted on a steel frame and legs. However, like one variant of the Brno chair, the frame is ...
The primary focus of today’s airport seating is the size and comfort of seating to fit the environment that the airport and airline desire to create. [7] Since fire safety is a significant consideration at airports, regulations now govern the contents of airport terminals, affecting the materials used for seating. [5]
The 40/4 chair is the compactly stackable chair designed by David Rowland in 1964. Forty chairs can be stacked within a height of 4 feet (120 cm), giving the chair its name. Over time it has received a number of design awards and is in the permanent collection of the Museum of Modern Art in New York, as well as other museums internationally.