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And fear not them which kill the body, but are not able to kill the soul: but rather fear him which is able to destroy both soul and body in hell. The New International Version translates the passage as: Do not be afraid of those who kill the body but cannot kill the soul. Rather, be afraid of the one who can destroy both soul and body in hell.
The album artwork is adapted from a painting by Per Øyvind Haagensen entitled Satan. [12] The artwork features the numbers 25 and 41. [13] Geezer Butler stated in an interview that the numbers refer to the Bible verse Matthew 25:41, which deals with the Last Judgment where "those who sit at the left side of God are cast down into Hell". [14]
It was released as the second promotional single from their second studio album, Antichrist Superstar, and is the final song on the album. The line, "Sticking to my pointy ribs/ Are all your infants in abortion cribs" refers to a story told in The Long Hard Road Out of Hell in which Manson as a child found a coffee can with something rotting ...
Matthew 10:28 "And fear not them which kill the body, but are not able to kill the soul: but rather fear him which is able to destroy both soul and body in hell." John 3:16 "For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life."
The audio clip "superstition, fear and jealousy" heard at the beginning of the song is a sample of dialogue from the 1960 horror film The City of the Dead (also known as Horror Hotel), and is spoken by Christopher Lee. [4] The song also appears on Rob Zombie's Past, Present & Future, the greatest hits album The Best of Rob Zombie.
A Dark Song is a 2016 Welsh-Irish-British independent horror film, written and directed by Liam Gavin and starring Steve Oram and Catherine Walker. It was released to select theatres and digital streaming platforms on 28 April 2017.
"Expressway to Your Heart" is a song written by Kenny Gamble and Leon Huff and performed by the Soul Survivors. It appeared on their 1967 album, When the Whistle Blows Anything Goes , [ 3 ] which was produced by Gamble and Huff.
Paz found such a life boring and hated the songs he had to sing, except for one song; the Unknown's, which could change everything. To meet her and play the song that he loved, he got himself cast down to Hell, waiting an eternity for her to arrive until his body decayed into only a skull.