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The album's only single, "Just Because I'm a Woman", was released in May 1968 [1] and debuted at number 46 on the Billboard Hot Country Songs chart dated June 29. It peaked at number 17 on the chart dated September 14, its twelfth week on the chart. The single charted for a total of 14 weeks.
Just Because I'm a Woman: Songs of Dolly Parton is a various-artists tribute album to Dolly Parton, released on October 14, 2003.The title song is a rerecording by Parton of a song she originally wrote during the 1960s and first included on her album Just Because I'm a Woman in 1968.
Song of Songs 1 (abbreviated [where?] as Song 1) is the first chapter of the "Song of Songs" or "Song of Solomon", a book of the Hebrew Bible or Old Testament of the Christian Bible. [ 1 ] [ 2 ] This book is one of the Five Megillot , a group of short books, together with Ruth , Lamentations , Ecclesiastes and Esther , within the Ketuvim , the ...
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893. The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
Billy Graham converted to Christianity in 1934 in a revival meeting in Charlotte, North Carolina, led by evangelist Mordecai Ham hearing the altar call song "Just as I Am". This song became an altar call song in the Billy Graham crusades in the latter half of the twentieth century. Graham used the title of the hymn as the title of his 1997 book ...
Just Because I'm a Woman: Songs of Dolly Parton, a 2003 Dolly Parton tribute album Topics referred to by the same term This disambiguation page lists articles associated with the title Just Because I'm a Woman .
Dasha Novotny will perform her hit song, "Austin," at the CMT Country Music Awards on Sunday, April 7, along with her viral line dance.
"I Am a Pilgrim" is a traditional Christian hymn from the United States, first documented in the mid-19th century. It forms part of the repertoire of gospel , folk , and bluegrass artists. The song combines elements from an "[o]ld hymn entwined with Poor Wayfaring Stranger (Sacred Harp - 1844).