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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
"Touch Me" is a song by the Doors from their 1969 album The Soft Parade. Written by guitarist Robby Krieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist Curtis Amy .
The War Lover is a 1962 British war film directed by Philip Leacock and written by Howard Koch, loosely based on the 1959 novel by John Hersey, altering the names of characters and events but retaining its basic framework. It stars Steve McQueen, Robert Wagner and Shirley Anne Field. [4] The war itself is not the most important element of the film.
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
"Touch Me (I Want Your Body)" is a song by the English pop singer Samantha Fox from her debut studio album, Touch Me (1986). A successful topless model, Fox had been invited to attend an open audition for Jive Records, as the label was seeking "a British Madonna" to sing the song. [3]
The inclusion of the song has caused some fans to spiral over the idea that “Lover” and some of Swift’s other love songs about Alwyn — including “Sweet Nothing” — represent what it ...
Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...