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'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
The pāʻōʻā (often written as paoa, as the Tahitian is not punctilious about writing accents), is a modern dance from Tahiti where the dancers sit on their knees in a circle on the ground, sing and tap with their hands on their thighs on the rhythm of the music, which is a quite repetitive scanning refrain.
The group of people performing a haka is referred to as a kapa haka (kapa meaning group or team, and also rank or row). [14] The Māori word haka has cognates in other Polynesian languages, for example: Samoan saʻa (), Tokelauan haka, Rarotongan ʻaka, Hawaiian haʻa, Marquesan haka, meaning 'to be short-legged' or 'dance'; all from Proto-Polynesian saka, from Proto-Malayo-Polynesian sakaŋ ...
Madeleine Teroroheiarii Moua (5 April 1899 - 16 November 1989) was a French Polynesian dance troupe leader and major choreographer of Tahitian dance. She was the founder of the Heiva troupe. She was descended from the Tahitian royal family.
On the islands, there is a very big distinction between a normal hula studio that can be found on any part of the mainland and a Hālau Hula. Normal hula studios teach the traditional Polynesian dance forms like hula, Tahitian, Maori, or Samoan dance. Students at a hula studio are taught by staff members, not the actual Kumu Hula (master).
Fijian dance (4 P) H. Haka (6 P) S. Samoan dances (7 P) T. Dances of Tahiti (7 P) Dances of Tonga (9 P) Pages in category "Dances of Polynesia"
The stories depicted by the dance are taken from daily traditional occupations or ancient myths. Unlike the other Tahitian dances, this one is more often performed with the dancers dressed in pāreu and maro. It can also (especially the ʻaparima vāvā) be performed seated, much like the Tongan māʻuluʻulu.
The joy of dancing, so dear to the Polynesian heart, was one of the first to be axed. The famous Pōmare code of 1819 declared the ʻupaʻupa (and tattooing in the same line) to be bad and immoral habitudes, severely to be opposed. The Leewards followed suit soon after. But dancing continued in secret.