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Foldforming [1] is a technique of metalworking whereby metal is folded, repeatedly forged and annealed, and unfolded; at which stage it generally has a dramatic new three-dimensional form. While alternate spellings abound (e.g., fold-forming, fold forming, Foldforming, and even form-folding, the definitive book "Foldforming" by Charles Lewton ...
Grinding uses an abrasive process to remove material from the workpiece. A grinding machine is a machine tool used for producing very fine finishes, making very light cuts, or high precision forms using an abrasive wheel as the cutting device.
In other projects Wikimedia Commons; Wikidata item; Appearance. move to sidebar hide. ... Ancient art in metal (11 C, 55 P) B. Bronze objects (4 C, 22 P) Bronzeware ...
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Aboriginal grinding grooves, or axe-grinding grooves, have been found across the Australian continent. [3] The working edge of the hatchet or axe was sharpened by rubbing it against an abrasive stone, eventually leading to the creation of a shallow oval -shaped groove over time, [ 4 ] The grooves vary in length from 80 mm (3.1 in) up to 500 mm ...
As the accuracy in dimensions in grinding is of the order of 0.000025 mm, in most applications, it tends to be a finishing operation and removes comparatively little metal, about 0.25 to 0.50 mm depth. However, there are some roughing applications in which grinding removes high volumes of metal quite rapidly. Thus, grinding is a diverse field.
John Wilde's The Great Autobiographical Silverpoint Drawing (Art Institute of Chicago 1986.8) which is 38 in × 91 in (97 cm × 231 cm), one of the largest modern silverpoints. Silverpoint was also used in conjunction with other metal points by 20th-century artists.
Repoussé (French: ⓘ) or repoussage (ⓘ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in ...