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The Singer Model 27 and later model 127 were a series of lockstitch sewing machines produced by the Singer Manufacturing Company from the 1880s to the 1960s. (The 27 and the 127 were full-size versions of the Singer 28 and later model 128 which were three-quarters size). They were Singer's first sewing machines to make use of "vibrating shuttle ...
The Singer Featherweight is a model series of lockstitch domestic sewing machines produced by the Singer Manufacturing Company from 1933 to 1968, [1] significant among sewing machines for their continuing popularity, active use by quilters and high collector's value.
Sailmaker's stitch – may refer to any of the hand stitches used for stitching canvas sails, including the flat stitch, round stitch, baseball stitch, herringbone stitch. [2] Slip stitch – form of blind stitch for fastening two pieces of fabric together from the right side without the thread showing
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A Singer 1851 sewing machine. Singer's original design was the first practical sewing machine for general domestic use. It incorporated the basic eye-pointed needle and lock stitch, developed by Elias Howe, who won a patent-infringement suit against Singer in 1854.
A quick-start guide or quickstart guide (QSG), also known as a quick reference guide (QRG), is in essence a shortened version of a manual, meant to make a buyer familiar with their product as soon as possible. This implies the use of a concise step-based approach that allows the buyer to use a product without any delay, if necessary including ...
Written by Commodores lead singer Lionel Richie, the song is a slow ballad expressing a man's relief as a relationship ends. Rather than being depressed about the break-up, he states that he is instead "easy like Sunday morning"—something that Richie described as evocative of "small Southern towns that die at 11:30pm" on a Saturday night, such as his hometown Tuskegee, Alabama. [6]
"Fresh Air" is a 1970 song written by Gary Duncan with lyrics by Jesse Oris Farrow, the pen name of Chester William "Chet" Powers, Jr., who also used the stage name of Dino Valenti (it is only credited to Powers/Valenti, however). It was first recorded by the San Francisco-based band Quicksilver Messenger Service