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George Washington, also known as Enthroned Washington, is a large marble sculpture by Horatio Greenough commissioned by the United States Congress on July 14, 1832 for the centennial of U.S. President George Washington's birth on February 22, 1732.
The patio now serves as the entrance of the museum's Thomas J. Watson Library and to showcase the museum's Italian Renaissance statues. [2] From 1997 to May 2000, the patio was closed for refurbishment, where the carvings were cleaned, extra lighting was installed, and a new floor, also of white Macael marble, was put in.
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Outdoor marble statues, gravestones, or other marble structures are damaged by acid rain whether by carbonation, sulfation or the formation of "black-crust" (accumulation of calcium sulphate, nitrates and carbon particles). [10] Vinegar and other acidic solutions should be avoided in the cleaning of marble products.
The Venus de Milo is an over 2 metres (6 ft 7 in) tall [a] Parian marble statue [3] of a Greek goddess, most likely Aphrodite, depicted with a bare torso and drapery over the lower half of her body. [2] The figure stands with her weight on her right leg, and the left leg raised; [6] her head is turned to the left. [7]
Rachel Ruysch had many followers. At some point in the 18th-century, this painting was copied, and the copy is kept at the Ashmolean museum.A well-documented copyist of Ruysch's works was the Dutch painter Catharina Backer, who also owned two of Ruysch's paired large canvases, commissioned by her father-in-law, the art collector Pieter de la Court van der Voort, in 1710.