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Song Songwriter / Lyricist Ref. 1920: Warren G. Harding: Republican "Harding, You're the Man for Us" Al Jolson [2] 1924: Calvin Coolidge: Republican "Keep Cool and Keep Coolidge" Bruce Harper and Ida Cheever Goodwin 1928: Al Smith: Democratic "Sidewalks of New York" Charles B. Lawlor and James W. Blake: 1932: Franklin D. Roosevelt: Democratic
The song was released worldwide as the third single from The Presidents of the United States of America. It peaked at number 29 on the US Billboard Hot 100 and number eight on the Billboard Modern Rock Tracks chart. Worldwide, the song reached number one in Iceland and the top 20 in Australia, Canada, Ireland, New Zealand, and the United Kingdom.
"88 Lines About 44 Women" is a song by the new wave band the Nails. Initially recorded for their 1981 EP Hotel for Women , the song was re-recorded and released on the 1984 debut album Mood Swing . Along with the track "Let It All Hang Out", "88 Lines About 44 Women" peaked at number 46 on the US dance chart in March 1985.
"Forty-Four" or "44 Blues" is a blues standard whose origins have been traced back to early 1920s Louisiana. However, it was Roosevelt Sykes, who provided the lyrics and first recorded it in 1929, that helped popularize the song. "Forty-Four," through numerous adaptations and recordings, remains in the blues lexicon eighty years later.
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Read on for the song's lyrics, meaning and history at the Super Bowl. ... The song was first performed in 1900 during a celebration of former president Abraham Lincoln. It was sung by a choir of ...
The lyrics put images of Margaret Thatcher and Ronald Reagan getting down P-Funk style into the listener's head." [36] The song has since become a staple for other bands to play, sometimes keeping the original anti-Reagan lyrics, sometimes inserting other right-wing leaders in relevance to current political situations. [37] [35]
The Presidents of the United States of America is the debut studio album by the American alternative rock band The Presidents of the United States of America, released on March 10, 1995, via PopLlama Records. Columbia Records signed the band shortly after its release to handle increased distribution for the album.