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Southern Province is a province of Sri Lanka, containing the Galle District, Hambantota District, and Matara District. The following is a list of settlements in the province. The following is a list of settlements in the province.
the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff: Any tone contained in two successive chords is a common tone. Chords written upon two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the diatonic scale] have common tones.
Gran Logia Oriental de Colombia "Francisco de Paula Santander" (Grand Lodge of Eastern Colombia, "Francisco de Paula Santander") [12] [65] 1945 7 115 [5] CMI, CMC, CMB: Costa Rica Gran Logia de Costa Rica (Grand Lodge of Costa Rica) [12] [66] 1899 10 220 [5] CMI, CMCA: Ecuador Gran Logia Equinoccial del Ecuador-GLEDE 1979 44 1300 CMI Ecuador
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Bentota is a coastal town in Sri Lanka, located in the Galle District of the Southern Province. It is approximately 65 kilometres (40 mi) south of Colombo and 56 kilometres (35 mi) north of Galle. Bentota is situated on the southern bank of the Bentota River mouth, at an elevation of 3 metres (9.8 ft) above the sea level.
Ambalangoda is a coastal town located in Galle District, Southern Province of Sri Lanka. Ambalangoda town is distinct from Ambalangoda Urban Council. The borders of Ambalangoda town are different from those of the Ambalangoda Urban Council which governs a much larger area containing 9 villages and 8 Grama Niladhari Division. [2] [3] [4]
In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G 7.