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The Great Fire of Rome (Latin: incendium magnum Romae) began on the 19th of July 64 AD. [1] The fire started in the merchant shops around Rome's chariot stadium, Circus Maximus . After six days, the fire was brought under control, but before the damage could be assessed, the fire reignited and burned for another three days.
The painting was first exhibited in 1876 at the Accademia di San Luca in Rome. It went on to tour Europe with stops in Vienna, Munich, Prague, Lviv, Berlin, Saint Petersburg, Poznań, Paris and London. It was met with critical acclaim by masters of academic art such as Hans Makart and Lawrence Alma-Tadema. [3]
2nd-century AD Roman statue of a Virgo Vestalis Maxima (National Roman Museum) 1st-century BC (43–39 BC) aureus depicting a seated Vestal Virgin marked vestalis. In ancient Rome, the Vestal Virgins or Vestals (Latin: Vestālēs, singular Vestālis [wɛsˈtaːlɪs]) were priestesses of Vesta, virgin goddess of Rome's sacred hearth and its flame.
The Fire in the Borgo is a painting created by the workshop of the Italian Renaissance artist Raphael between 1514 and 1517. [1] Though it is assumed that Raphael did make the designs for the complex composition, the fresco was most likely painted by his assistant Giulio Romano .
The Fire of Rome by Hubert Robert (1785) The Great Fire of Rome began on the night of 18 to 19 July 64, probably in one of the merchant shops on the slope of the Aventine overlooking the Circus Maximus, or in the wooden outer seating of the Circus itself. Rome had always been vulnerable to fires, and this one was fanned to catastrophic ...
The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV.
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work.Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, [1] although they were not considered as such at the time.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...