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Endel Tulving OC FRSC (May 26, 1927 – September 11, 2023) was an Estonian-born Canadian experimental psychologist and cognitive neuroscientist. In his research on human memory he proposed the distinction between semantic and episodic memory .
TV Guide gave the film a mixed 2/5 stars, writing, "An unusual horror movie with an intriguing premise, The Asphyx is unfortunately marred by a weak script and unimaginative direction." [9] On Rotten Tomatoes, the film holds an approval rating of 67% based on 6 reviews, with a weighted average rating of 5/10. [10]
Tulving and Thomson studied the effect of the change in context of the tbr by adding, deleting and replacing context words. This resulted in a reduction in the level of recognition performance when the context changed, even though the available information remained context. This led to the encoding specificity principle. [2]
Hex is a 1973 American Western supernatural horror film directed by Leo Garen and starring Keith Carradine, Cristina Raines, Hillarie Thompson, Dan Haggerty, Gary Busey, and Scott Glenn. Set in 1919, its plot follows a wayward band of motorcyclists who seek shelter at a rural Nebraska farm inhabited by two Native American sisters.
Death Line (also known as Deathline; U.S. title Raw Meat) is a 1972 British-American horror film written and directed by Gary Sherman and starring Donald Pleasence, Norman Rossington, David Ladd, Sharon Gurney, Hugh Armstrong, and Christopher Lee. [3]
The film's title is taken from 1 Thessalonians 5:2, in which Paul warns his readers that "the day of the Lord so cometh as a thief in the night." A Thief in the Night presents a pre-tribulational dispensational futurist interpretation of Christian eschatology and the rapture popular among U.S. evangelicals , but is generally rejected by Roman ...
Hollywood 90028 is a 1973 American exploitation film written, produced, and directed by Christina Hornisher [1] [5] and starring Christopher Augustine and Jeannette Dilge. It follows an isolated cinematographer in Los Angeles whose feelings of alienation lead him to murder. Completed in 1973, the film was not released theatrically until late 1976.
The movie marks the eighth collaboration between Bronson and director J. Lee Thompson (following 1976's St. Ives, 1977's The White Buffalo, 1980's Caboblanco, 1983's 10 to Midnight, 1984's The Evil That Men Do, 1986's Murphy's Law, and 1987's Death Wish 4: The Crackdown).