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The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry.
The technique did not remain secret and was copied in Germany, where this glass was known as bein glass (lit. ' bone glass ' ). Opaline glass was produced in large quantities in France in the nineteenth century and reached the apex of diffusion and popularity during the empire of Napoleon III ; but the pieces made in the period of Napoleon I ...
Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
Flameworking – alternate name lampworking, [2] [3] the technique of forming glass, from rods and tubes, using a bench top or handheld heat source, formerly lamps, more often today a bench-mounted oxy/propane torch, to shape and form the glass by glassblowing and with the use of tongs, forceps, knives and other small tools.
Favrile glass vase by Louis Comfort Tiffany. Most antique art glass was made in factories, particularly in the UK, the United States, and Bohemia, where items were made to a standard, or "pattern". This would seem contrary to the idea that art glass is distinctive and shows individual skill.
Vassily Kandinsky Vassily Kandinsky, Komposition V, 1911. One of the main challenges of creating a reverse glass painting is how layers are applied when painting. [6] An illustration of this type is usually painted on the opposite side of the glass (the one not presented to the audience), following an opposite succession of layers of paint, applying the front most layer first and the ...
Evidence of Michelangelo's painting style is seen in the Doni Tondo.His work on the image foreshadows his technique in the Sistine Chapel.. The Doni Tondo is believed to be the only existing panel picture Michelangelo painted without the aid of assistants; [7] and, unlike his Manchester Madonna and Entombment (both National Gallery, London), the attribution to him has never been questioned.