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A refrain (from Vulgar Latin refringere, "to repeat", and later from Old French refraindre) is the line or lines that are repeated in music or in poetry—the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle , the virelay , and the sestina .
For example, refrains are found in the Beatles' "She Loves You" ("yeah, yeah, yeah"), AC/DC's "You Shook Me All Night Long", Simon & Garfunkel's "The Sound of Silence", and "Deck the Halls" ("fa la la la la"). [10] The chorus or refrain is the element of the song that repeats at least once both musically and lyrically.
The older French rondeau or rondel as a song form between the 13th and mid-15th century begins with a full statement of its refrain, which consists of two halves. This is followed first by a section of non-refrain material that mirrors the metrical structure and rhyme of the refrain's first half, then by a repetition of the first half of the ...
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
Folderol, a nonsense refrain in songs, is used in genres as diverse as Christmas songs ("Deck the Halls") and naval songs like "Don't Forget Your Old Shipmate". The European pop genre yé-yé was named after the frequent use of English-derived "Yeah!" as filler. Spanish yeyé signer Massiel won the 1968 Eurovision Song Contest with La, la, la.
Title page of Franz Rigler's "Three Rondos" (1790) First page of the manuscript for Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello. The rondo is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or ...
According to Julie Kane, the refrain in each stanza indicates that the form descended from a "choral dance song" wherein a vocal soloist—frequently female—semi-improvised the "unique" lyrics of each stanza, while a ring of dancers—all female, or male and female mixed—chimed in with the repetitive words of the refrain as they danced ...
Verse–chorus form is a musical form going back to the 1840s, in such songs as "Oh! Susanna", "The Daring Young Man on the Flying Trapeze", and many others. [1] [2] It became passé in the early 1900s, with advent of the AABA (with verse) form in the Tin Pan Alley days.