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Nicodemus (left) talking to Jesus. Painting (1899) by Henry Ossawa Tanner. Roger Baxter, in his Meditations, reflects on moral quality of Nicodemus' timidity: Nicodemus being a man of high character, among his fellow citizens, and afraid of the censures of the world, came during the night, for instructions to Christ.
Finally, when Jesus is buried, Nicodemus brought a mixture of myrrh and aloes—about 100 Roman pounds (33 kilograms, or 73 lb). [g] Nicodemus must have been a man of means; in his book Jesus of Nazareth: Holy Week, Pope Benedict XVI observes that, "The quantity of the balm is extraordinary and exceeds all normal proportions. This is a royal ...
A 9th- or 10th-century manuscript of the Gospel of Nicodemus in Latin. The Gospel of Nicodemus, also known as the Acts of Pilate [1] (Latin: Acta Pilati; Ancient Greek: Πράξεις Πιλάτου, romanized: Praxeis Pilatou), is an apocryphal gospel purporting to be derived from an original work written by Nicodemus, who appears in the Gospel of John as an acquaintance of Jesus.
Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
According to the Gospel of Nicodemus, Joseph testified to the Jewish elders, and specifically to chief priests Caiaphas and Annas that Jesus had risen from the dead and ascended to heaven, and he indicated that others were raised from the dead at the resurrection of Christ (repeating Matt 27:52–53). He specifically identified the two sons of ...
Balthasar says this is a "visionary and imaginistic" description of Jesus vanquishing death itself. [14] According to the apocryphal Gospel of Nicodemus, the Harrowing of Hell was foreshadowed by Christ's raising of Lazarus from the dead prior to his own crucifixion.