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The following is a chronological list of classical music composers who lived in, worked in, were German citizens, or who grew up and made their careers in Germany This is a dynamic list and may never be able to satisfy particular standards for completeness.
This is a list of composers of 20th-century classical music, sortable by name, year of birth, year of death, nationality, notable works, and remarks. It includes only composers of significant fame and importance. The style of the composer's music is given where possible, bearing in mind that some defy simple classification.
Pages in category "20th-century German classical composers" The following 200 pages are in this category, out of approximately 382 total. This list may not reflect recent changes .
Pages in category "20th-century German composers" The following 200 pages are in this category, out of approximately 299 total. This list may not reflect recent changes .
Charles H. Templeton Sheet Music Collection: 19th-century, 20th-century, American, blues, foxtrots, Irving Berlin, minstrel songs, movie music, popular music, rags, show tunes, war songs: 5,000 Sheet music for popular tunes dating as far back as 1865. Items are scanned at 600 dpi and saved as a TIFF files. Mississippi State University
Three Pieces for violin and orchestra, Op. 65 (1948) Philip Glass. Echorus for two violins and string orchestra (1995) Alexander Glazunov. Mazurka-Oberek in D major, Op. 100b (1917) Lou Harrison. Koncherto for violin and percussion ensemble (1959) Music for Violin and Various Instruments, European, Asian, and African (1967–69)
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
In the early part of the 20th century, many composers wrote music which was an extension of 19th-century Romantic music, and traditional instrumental groupings such as the orchestra and string quartet remained the most typical. Traditional forms such as the symphony and concerto remained in use.