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The concertmaster (from the German Konzertmeister), first chair [1] (U.S.) or leader [2] (U.K.) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the conductor , the concertmaster is the most significant leader in an orchestra , symphonic band or other musical ensemble .
In addition to leading the section, principal players are responsible for playing any solos written for that voice in a given musical score. The principal first violin is called the concertmaster (or "leader" in the UK) and is considered the leader of not only the string section, but of the entire orchestra, subordinate only to the conductor.
Composition for solo instrument(s) and orchestra concerto grosso Composition for a group of solo instruments (concertino or soli) and orchestra (ripieno or tutti) conjunct An adjective applied to a melodic line that moves by step (intervals of a 2nd) rather than in disjunct motion (by leap). contralto Lowest female singing voice type ...
Orchestras which choose not to have principal conductors, such as the Orchestra of the Age of Enlightenment, Saint Paul Chamber Orchestra and the Vienna Philharmonic Orchestra, are omitted from this list. Likewise, principal conductors for opera companies are omitted, unless the orchestra of that opera company performs orchestral concerts under ...
The Chicago Symphony Orchestra performing with a jazz group. The string sections are at the front of the orchestra, arrayed in a semicircle around the conductor's podium. The string section of an orchestra is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...