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In dance theory, choreographic writing (a form of embodied writing) is done by imagining words as dancing across a page. [5] Others use forms of yoga to more deeply connect the body to the writing. [6] Each of these practices aims to create more awareness of the sensation of the body in space and to think of writing as a physical act.
Embodiment theory speaks to the ways that experiences are enlivened, materialized, and situated in the world through the body.Embodiment is a relatively amorphous and dynamic conceptual framework in anthropological research that emphasizes possibility and process as opposed to definitive typologies. [1]
The anima and animus are a pair of dualistic, Jungian archetypes which form a syzygy, or union of opposing forces. Carl Jung described the animus as the unconscious masculine side of a woman, and the anima as the unconscious feminine side of a man, each transcending the personal psyche. [1]
An epitome (/ ɪ ˈ p ɪ t əm iː /; Greek: ἐπιτομή, from ἐπιτέμνειν epitemnein meaning "to cut short") is a summary or miniature form, or an instance that represents a larger reality, also used as a synonym for embodiment. [1]
Embodied cognition occurs when an organism's sensorimotor capacities (ability of the body to respond to its senses with movement), body and environment play an important role in thinking. The way in which a person's body and their surroundings interacts also allows for specific brain functions to develop and in the future to be able to act. [1]
Greek scholars contributed to the definition of metonymy. For example, Isocrates worked to define the difference between poetic language and non-poetic language by saying that, "Prose writers are handicapped in this regard because their discourse has to conform to the forms and terms used by the citizens and to those arguments which are precise ...
Everyman is the only human character of the play; the others are embodied ideas such as Fellowship, who "symbolizes the transience and limitations of human friendship". [6] The use of the term everyman to refer generically to a portrayal of an ordinary or typical person dates to the early 20th century. [7]
Authors writing their texts consider not only a word's denotation but also its connotation. For example, a person may be described as stubborn or tenacious, both of which have the same basic meaning but are opposite in terms of their emotional background (the first is an insult, while the second is a compliment).