Search results
Results From The WOW.Com Content Network
Ekphrasis or ecphrasis (from the Greek) is a rhetorical device indicating the written description of a work of art. [1] It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art."
Form is one of the most frequent terms in literary criticism. It is often used merely to designate a genre or for patterns of meter lines and rhymes. For example, the subject of these two artworks is a bird, though both artworks are created in different styles.
The Art of Painting by Jan Vermeer. The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought.
The word "art" is therefore both a verb and a noun, as is the word "painting". Work of art – aesthetic physical item or artistic creation. A painting is a work of art expressed in paint. One of the arts – as an art form, painting is an outlet of human expression, that is usually influenced by culture and which in turn helps to change ...
Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art. A painting is said to be painterly when there are visible brushstrokes in the final ...
The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...
In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art.
De pictura aimed to describe systematically the figurative arts through "geometry". Alberti divided painting into three parts: Circumscriptio (Italian: disegno), consisting in drawing the bodies' contour; Compositio (commensuratio in the Italian version of the treatise), including tracing the lines joining the bodies