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The dress is gathered, with three tucks in the center front to curtail the fullness from being unmanageable. The ruffle at the bottom of the dress is about 8 inches tall. The sleeves are full with three tucks along the length and two horizontal tucks at the shoulder, and ribbon and piping is used to outline the silhouette of a cuff.
The Arabian Nights Reader (Wayne State University Press, 2006). Ulrich Marzolph, Richard van Leeuwen, Hassan Wassouf (2004).The Arabian Nights Encyclopedia. Charles Pellat, "Alf Layla Wa Layla" in Encyclopædia Iranica. Online access June 2011. Pinault, David (1992). Story-Telling Techniques in the Arabian Nights. Brill Publishers. ISBN 90-04 ...
Further references to the Arabian Nights are expressed in parallels with the stories of Khudâdâd and His Brothers, 'Alâ' al-Dîn, and the History of the Princess of Daryâbâr. Whereas the Arabian Nights focuses on the narrative themes of providence and destiny, Voltaire substituted the interference of divine power with human intervention.
John Payne - The Book of the Thousand Nights and One Night (unexpurgated) (1882–84) Edward Powys Mathers based on J. C. Mardrus in 4 volumes (1923) Malcolm C. Lyons and Ursula Lyons - The Arabian Nights: Tales of 1001 Nights published by Penguin Books based on the Macnaghten or Calcutta II edition (Egyptian recension) in 10 volumes (2008)
The Arabian Nights by Andrew Lang at Project Gutenberg; 1001 Nights, Representative of eastern literature (in Persian) "The Thousand-And-Second Tale of Scheherazade" by Edgar Allan Poe (Wikisource) Arabian Nights Six full-color plates of illustrations from the 1001 Nights which are in the public domain (in Arabic) The Tales in Arabic on Wikisource
The top dress is a long, wide, rectangular tunic-like dress called a thobe. It is traditionally made of sheer fabric to create a translucent effect and let a hint of the shift dress be seen, it is heavily embroidered from the centre and the extreme wide shoulder parts with beads, thread embroidery or anything shiny.