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Essentially a 4-string bass with each string doubled at the upper octave. Guitar, bass (12-string) 12 strings 4 courses. E 2 E 2 E 1 •A 2 A 2 A 1 •D 3 D 3 D 2 •G 3 G 3 G 2: Twelve-string bass guitar, 12-string bass US Similar to an 8-string bass with doubled upper octaves. Guitar, octave: 6 strings 6 courses. E 3 •A 3 •D 4 •G 4 •B ...
Tuning in fifths e.g., C–G–D–A (like a violoncello but an octave lower) gives an extended upper and lower range. Further, some players prefer to tune their basses with a "Low G" (G 0). Often, this requires a large-gauge string which replaces the E-string, and the other strings are often lowered as well in this sort of tuning.
In discussions of the instrumentation of a musical work, the phrase "the strings" or "and strings" is used to indicate a string section as just defined. An orchestra consisting solely of a string section is called a string orchestra. Smaller string sections are sometimes used in jazz, pop, and rock music and in the pit orchestras of musical ...
Theoretically, this means the fundamental frequency of the upper note is exactly twice that of the lower note, and we would assume that the second harmonic of the upper note will exactly match the fourth harmonic of the lower note. On instruments strung with metal wire, however, neither of these assumptions is valid, and inharmonicity is the ...
Drop D 7-string tuning – D-D-A-d-g-b-e' This is the standard seven-string tuning with the low B string raised to D and lower E string dropped to D. The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger.
With conventional sets of guitar strings, some higher tunings increase the string-tension until playing the guitar requires significantly more finger-strength and stamina, or even until a string snaps or the guitar is warped. However, with lower tunings, the sets of guitar strings may be loose and buzz.
Cello – C 2 G 2 D 3 A 3 (an octave lower than the viola) Double bass – E 1 A 1 D 2 G 2 (ascending perfect fourths, where the highest sounding open string coincides with the G on a cello). Double bass with a low C extension – C 1 E 1 A 1 D 2 G 2 (the same, except for low C, which is a major third below the low E on a standard 4-string ...
The amount of stretching necessary to achieve the desired compromise is a complicated determination described theoretically as a function of string scaling. String scaling considers the string's tension, length, diameter, weight per unit length, and in elasticity in either the strings' core wires or any overwinding used to modify the wire's ...